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Marquetry goldfish

As mentioned in this post, I have recently taken up marquetry and I’m really enjoying it. I am now always on the lookout for new projects. This week I’ve combined marquetry with another hobby (fishkeeping), and have cut out a goldfish design. Because I’m still at the learning phase I’m cutting everything by hand, but at some point I’ll probably start to combine hand-cutting with laser-cutting.

This is what I’ve managed so far:

Marquetry goldfish square watermarked - LaserSister - KayVincent

Stages of making the marquetry goldfish

First I chose a piece of veneer. It’s impossible to tell from this photo, but the piece had been dyed to a light greeny-blue shade. Once I’d found the nice wood I traced a basic fish design onto it.

Marquetry goldfish step01 square - LaserSister - KayVincent

Using the ‘window method‘ of cutting, I started with the dorsal fin. I deliberately made bottom end of the cut longer than it needed to be, so that I could use the inserted fin as part of the window of a later section. So it didn’t matter that there was a gap at the bottom left of the fin.

Marquetry goldfish step03 square - LaserSister - KayVincent
Selecting a suitable piece of wood by viewing it through the window

Then basically I kept repeating the steps of:

  • cutting a window shape out of the greeny-blue veneer (e.g. fins, body, tail sections)
  • viewing the orange-coloured veneer through the window so I could find a woodgrain that looked as fishy as possible
  • using that window as a guide for cutting the right size of orange-colour veneer to insert into the window
  • glueing (?gluing? Both spellings look wrong) the freshly-cut orange veneer piece into the window.
Marquetry goldfish step04 square - LaserSister - KayVincent
Cut a window, find a suitable grain of wood, cut the shape, and glue it into the window

Wonderful woodgrain

This is one of the things I like most about marquetry; the way the woodgrain pattern makes each piece absolutely unique. Here the grain not only has lines in it but wavy lines, so the goldfish tail looks even more realistic. And of course, the lines in the greeny-blue wood look nice and watery.

Marquetry goldfish step05 square - LaserSister - KayVincent

More fins being added:

Marquetry goldfish step06 square - LaserSister - KayVincent

Pectoral fins cut and inserted:

Marquetry goldfish step08 square - LaserSister - KayVincent

Bottom section of fish tail has been cut and inserted. Again I was pleased to find some grain that had a bit of a wave to it.

Marquetry goldfish step09 square - LaserSister - KayVincent

I thought I’d gone horribly wrong here, because it looked like I’d added a clown’s nose to the fish:

Marquetry goldfish step10 square - LaserSister - KayVincent

…but when the body was cut and inserted, I was very relieved because the nostril thing didn’t stand out much after all. (Note: at this stage the inserted body-section replaced the bottom of the dorsal fin, so removed the previous gap.)

Marquetry goldfish step11 square - LaserSister - KayVincent

I was also quite chuffed with the way that the woodgrain looked a bit like fish scales:

Marquetry goldfish step11 square - LaserSister - KayVincent

Fin-ishing touches

Nearly finished, with the mouth and gill inserted, and a window cut out for the eye. The single mouth-and-gill shape was a really difficult shape to cut out. I could have made things easier by cutting it as two pieces instead of one, but fortunately nothing broke while I was doing it.

Marquetry goldfish step12 square - LaserSister - KayVincent

I forgot to take a picture of how I cut the eye, because it all got a bit tricky at this stage. Here is the finished marquetry goldfish:

Marquetry-goldfish-square-LaserSister-KayVincent

The outer section of the eye is just under 5mm in diameter so was fiddly enough to cut by itself, but then I had to cut a 2-ish mm hole out of the middle of it so that I could insert the smaller, darker circle. No finesse at all was involved; I had to just hack away with my scalpel until I’d managed to carve out a hole from the wood.

Marquetry-goldfish-square-LaserSister-KayVincent

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Marquetry at the Great Yorkshire Show

marquetry initial letter coasters - Kay Vincent - LaserSister

Having mentioned in a previous post that I’d started a new hobby of marquetry this year, I was excited to find out this week that one of my competition entries for the Great Yorkshire Show had won a prize. I really am addicted, now!

The Leeds Marquetry Group encouraged all of this year’s (2022) beginners to submit some of our pieces to the GYS, so for the last few months I’ve been tinkering away with several projects and trying to expand my range of skills.

I turned up at the woodworking tent of the show hoping to have a nose around and see what everyone else had been working on this year, and was amazed to discover that I’d won first prize in the category of “applied” marquetry:

marquetry initial letter coasters at the Great Yorkshire Show 2022 - Kay Vincent - LaserSister
(Photo taken by Eileen)

I’m still sure there must have been some mistake! But what I really loved was that all four of the initial-lettered people were there to see their coasters. I hadn’t shown any of the coasters to Rob (husband), Eileen (mum) or Brian (dad) during the time that I was making them, so there were nice surprises all round.

I created the design by first printing out the letters in a giant font size and then drawing square borders around them. Then I used Saral transfer paper to copy the design onto the wood veneer sheets.

Try, try, try again

This was my first ever attempt at hand-cutting wood veneer. When I cut out the K and the background I was fairly happy with the outcome…

nitial-letter-K-coaster-in-progress-Kay-Vincent-LaserSister

…but then noticed that I’d cut the letter too close to the edges of the background veneer (above), so had to start again.

initial letter K marquetry coaster wrong wood - Kay Vincent - LaserSiste

…only to decide that I’d like to make a whole family set of initial letter coasters – at which point I realised that I didn’t have enough of those two veneers above (cherry and birch??) to make a matching set. So I had to start again again.

Favourite wood so far…

I went up to LMG’s wood store, and discovered a lovely veneer. Fiddleback sycamore. Apparently it’s called that because it’s used on the backs of violins and other similar musical instruments. It is a very very attractive wood:

fiddleback sycamore veneer - Kay Vincent - LaserSister
Woof. It’s got a silky, wavy pattern somehow at right angles to the grain.

For a good contrast with the sycamore, I chose a much darker and more grainy-looking wood. I think it’s sapele wood.

Making things (more difficult)

To make life difficult for myself, I decided to try to keep the outer section of the sycamore veneer in one piece. But I also wanted to learn how to apply a border strip (‘stringing’?) around the main design as well, so I mitred some thin sections of the sapele wood and somehow got them to fit between the pieces of the sycamore veneer.

initial letter K marquetry coaster with fiddleback sycamore wood - preparing for the Great Yorkshire Show - Kay Vincent LaserSister
Work in progress, with the two new woods.

That was actually the second most difficult part of the whole project. I must have wasted about 10 strips of wood trying to get them to the correct width and length and fitting nicely together and properly mitred.

By the time I started on the letter R coaster I was a bit more confident with my cutting skills:

initial letter R marquetry coaster from front

…but was horrified by the gaps between the veneers when I held them up to the window:

initial letter R marquetry coaster - Kay Vincent - LaserSister

Fortunately my new friends at LMG assured me that when I actually glued the veneers together and stuck them to the coaster itself, the gaps wouldn’t be as noticeable. Partly because the glue fills in the gaps anyway, but also because the wet glue causes the wood to soften and change shape a bit. The tutors also kindly reminded me that nobody else in the world was going to hold one of my marquetry pieces up to the light to inspect it. Duh.

As part of my marquetry adventure I also discovered a new phenomenon: my pieces always look better from the back than they do from the front!

initial letter R Great Yorkshire Show marquetry coaster from back - Kay Vincent - LaserSister
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New Hobby: Adventures in Marquetry

Yorkshire rose coaster marquetry project - Kay Vincent - LaserSister

This year (2022) I started a new hobby. I am now a marquetry enthusiast (in addition to all of my other craft addictions).

I moved house in 2021 (from the south to the north of England) during the covid lockdowns, so for a very long time I wasn’t able to start any new hobbies that involved seeing real people. But in February 2022 I was wishing for a new group or club to join in Yorkshire, and discovered that Leeds Marquetry Group were restarting their beginners’ sessions that very same week. So I signed up. And it turns out that marquetry is a brilliant pastime for me, because it seems to combine a lot of the skills that I’ve already been building up via my other crafts, over the years.

Through my papercutting experiments I’ve already learned how to use a scalpel to do some very intricate cutting…

papercut 224 - Chinese flower with horizontal scalpel - Kay Vincent LaserSister

…and through my lasercutting artworks I’ve learned some of the characteristics and limitations of working with different types of wood veneers:

LaserSister trademark logo as laser-cut marquetry heart - background removed

So marquetry basically involves a mash-up of my existing craft skills.

The very first project I completed was a Yorkshire Rose coaster:

Yorkshire rose coaster marquetry project - Kay Vincent - LaserSister

As with my papercutting projects there are quite a few errors that really jump out at me when I look at this piece, but overall I’m really pleased with it. I designed it myself (starting out with petals that were based on heart shapes) then cut it by hand, and there were some really challenging sections in it.

The best thing about Leeds Marquetry Group is that everyone is so friendly and helpful. In just a few months I’ve learned more about cutting, gluing, sanding and varnishing wood than I could have ever learned from books or the internet. I’m looking forward to learning even more, over the next year.